PAPER: Bridging Theory and Practice: Using Reflexive Cycles in Feminist Participatory Action Research
Bridging Theory and Practice: Using Reflexive Cycles in Feminist Participatory Action Research
REFERENCE: (FPAR)
Williams, J., & Lykes, M. B.
(2003). Bridging theory and practice: Using reflexive cycles in feminist
participatory action research. Feminism & Psychology, 13(3),
287-294.
JOURNAL
Date of summary :12 DESEMBER 2017
MY SUMMARY
I learned how
Joan and Brinton emphasized the importance of reflexive cycles in Feminist
Participatory Action Research during their research with 20 Mayan Ixil women in
remote Guatemalan Highland town of Chajul. They learnt with the participants’
challenges during applying Photovoice, like obstacles taking pictures in their
community, husband’s power on women to join their research, and other obstacles
Some sentences contain
their reflection includes……….;
I often
questioned my hesitancy to break their ‘cultural silence’ about..........
My
‘lessons learned’ included a deepening appreciation for..........
We
(Brinton and Joan) brought our scholarly training as psychologists, including
our knowledge of feminist-based theory, research, and culturally sensitive practices,
our passion for, and commitment to............
We could
not have accomplished without a great deal of humility, patience, and reflexive
dialogue between ourselves and ..............
The reenactments
and reflexive conversations allowed us to.......; The knowledge generated
through these processes......; Vital to our ‘successes’ was.......;Through collaborative
field research and creative workshops we identified......
12 December,
2017, Najmah
IMPORTANT DIRECT QUOTATION
Seeking to accompany
those directly affected by socio-political turmoil, many academically trained
researchers working in these areas have embraced feminist principles that
strive to facilitate processes of empowerment and social action that challenge
traditional hierarchies of exclusion. One strategy to achieve these goals is
participatory action research (PAR), wherein local community members become
active agents in analyzing and redressing the effects of oppression and violence
within the community (Park et al., 1993). While finding feminist principles and
PAR methodologies theoretically sound, those of us who have struggled with
implementing field research that engenders social justice and empowerment
understand at first hand the numerous challenges attendant to these processes.
P.287
Example of reflection:
I often questioned my hesitancy to break their ‘cultural
silence’ about, for example, domestic violence and war rape, oscillating between
self-criticism for my colluding in their silence and self- congratulation for
my cultural sensitivity and refusal to impose a western feminist agenda. Living
through such contradictions deepened my understanding of local rural women’s
lives and my recognition of the limitations of theories that positioned western
feminism over Maya Ixil traditionalist views. This was brought home poignantly
when some of the evangelical and Catholic women within ADMI disagreed
vehemently about Juana’s (not her real name) decision to leave her home in
response to her husband’s beatings. I had not been in Chajul when this conflict
erupted and listened carefully as women from both sub-groups explained how they
had managed this conflict and Juana’s subsequent departure from the Association. My ‘lessons learned’ included a deepening
appreciation for diversity within apparent homogeneity, a recognition of
the layers of violence within a community struggling to move beyond war, and of
the waxing and waning of change processes. Similar lessons about violence and
gender, repeated throughout our PAR project, are described below. P.288-289
PhotoVoice brought
together 22 women whose diverse historical, cultural, linguistic, and
socio-political backgrounds constituted a rich pool of knowledge and skill
variability. Our Mayan colleagues were between 16 and 65 years old and brought
expertise from the domains of Mayan culture, history, and language, as well as
experiential knowledge as Mayan woman in a war-stricken, oppressive,
impoverished, society. They also brought their willingness to share these
experi-ences in search of solutions to current pressing economic and social
needs. We (Brinton and Joan) brought our scholarly training as psychologists,
including our knowledge of feminist-based theory, research, and culturally
sensitive practices, our passion for, and commitment to, social justice and empowerment for
traditionally oppressed groups, our differing and developing knowledge of
Guatemala, and our own cultural and socio-political worldviews. Our
experiential knowledge included having traveled, lived, and worked among
oppressed groups in various countries. P.289
Despite these
resources, and a shared commitment to social justice, engendering the
principles of PAR via PhotoVoice was an ongoing challenge that we could not have accomplished without a
great deal of humility, patience, and
reflexive dialogue between ourselves
and with our Mayan colleagues.
Through collaborative field research and creative workshops
we identified community priorities, gathered information, analyzed data, and developed
action plans, moving roughly forward. Vital
to our ‘successes’ was our active engagement in an iterative process of critical reflection, action, and further
reflection. A commitment to that process also enabled us to learn from our
‘failures’. Below we discuss an example of each. P.2901
ADDRESSING CHALLENGES
THROUGH REFLEXIVE ACTION
Many of us (Joan,
Brinton and Mayan participants) were disheartened when we reconvened the
following month and only a few women had even attempted to take photos. We
asked ourselves, ‘How could our initial enthusiasm have resulted in such modest
productivity? What happened?
In addition, the reenactments and reflexive
conversations allowed us to invite the women to discuss gender relations,
Mayan traditions, and community interactions that we had failed to understand,
offering insights into the women’s life-worlds and struggles that had been
previously inaccessible to us given our different worldviews and cultural
perspectives. The insights gained from the above process facilitated our
ability to participate more actively alongside the women in the PhotoVoice
project. P.290
The knowledge generated through these processes became resources for
retheorizing gender, trauma, and its wake. For example, in the redramatizations
described above, the group recognized that their picture-taking signified that
they were stepping outside tightly circumscribed gender roles – roles
traditionally governed by patriarchal structures (Lykes, 2001; Williams, 2001).
In addition, by taking photos and interviewing those whose pictures they were
taking, they were ‘giving voice’ to numerous atrocities incurred during the
violence. This act broke an entrenched community code of silence (see, for
example, Lykes, 1994) that had been tightly enforced during the war and
continued to pervade many familial and community interactions. An activity
(photography) that originally had seemed like ‘fun’, or a ‘simple task’, took
on new significance. Over time the women developed the self-confidence and
interpersonal skills required to take on this new public role, as well as
resources for confronting local villagers’ stereo- types and gender prejudices.
The action of taking pictures and the reflexive dramatic play in the
participatory workshops constituted a dialectic of praxis and a supportive site
of emotional containment. P.291
When they failed to
show up for the second workshop, conversations with them suggested they could
not overcome their husbands’ resistances concerning their absenteeism from
home. I (Joan) suggested that we invite the men to a workshop (which I thought
was an efficient, effective, and respectful gesture). The women were silent – an indication that this was not an
acceptable means of negotiating with husbands. P.291
Thus, our efforts to
realign gender relations, albeit in a small way, required action at multiple
levels and with multiple participants. The PAR processes helped us to identify
and record these change strategies and document respective contributions to
achiev- ing them. P.291-292
Despite the women’s
deployment of newly acquired negotiating skills, and our support through
regular conversations with husbands about our work, some men staunchly opposed their
wives’ participation in community activities. For example, one of the
few literate PhotoVoice members, Maria (not her real name), was an outspoken
supporter of equity and women’s rights. Her husband sought to control her
activities through the use of physical abuse and threats to take away the
children if she chose to remain in ADMI and PhotoVoice. His erratic and violent behavior during frequent drinking bouts made it
almost impossible for Maria to leave home for fear he would hurt the children
or destroy their property. In one of his drunken rages he disrupted an ADMI
meeting, forcing her to return home. His
friendship with political leaders in the town further limited our group’s
efforts to support her and her children. We (Brinton and Joan) reluctantly
acknowledged the limits of change when there is an absence of alternative
struc- tural supports for someone seeking to challenge gender violence. We felt
forced to acknowledge the group’s decision to accept Maria’s absence from our
midst. P.292
CONCLUSIONS
We (Brinton, Joan, and
our Mayan colleagues) met the numerous challenges of PhotoVoice – some
foreseen, others unexpected, and several described herein – through personal
commitment and collaboration in the context of participatory processes informed
by feminist methodology and creativity. Self-knowledge, empowerment, role
transformation, and social development were realized through PhotoVoice,
one of many stages in the women of ADMI’s individual and collective processes
of healing and reconstruction. The engendered action-reflection processes
described above were critical, both for the women’s development of themselves
and their community, and for our ability to accompany them in supportive ways
in their research and action. In addition, the documentation and our critical
reflections of the project shifted our theorizing concerning violence
and its impact on a group of women, social change, and the interface between
culture and psychology (see Lykes, 2001; Williams, 2001). The strengths and limitations of
feminist PAR praxis enabled us to accompany a small group of rural
Mayan women in their daily struggles and to deepen our endeavors as academics
to build an inclusive theory about war and community rebuilding processes that
more adequately and accurately reflect the lived experiences of women and
children.
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